2008
TuneTalk Stereo for an iPod - how
it works video | TuneTalk
info | TuneTalk
$70 |
Olympus: http://www.olympusamerica.com/cpg_section/product.asp?product=1350
|
2007
NEWS - SEPTEMBER 2007 The NEW Flash Mic includes LINE IN for recording. Get the NEW FLASH
MIC
Latest News HHB Announces New Line Input-Equipped
FlashMics, Plus Mp3 Compatibility IBC, Amsterdam, September 7th 2007 Following
the recent expansion of the FlashMic Digital Recording Microphone range
with the launch of the cardioid DRM85-C, manufacturer HHB has chosen IBC
to announce two new FlashMics ?
The HHB FlashMic $1000 | Location
Sound Corp | omnidirectional (DRM85) or cardioid (DRM85-C) The world’s first professional digital recording microphone.
It combines a high-quality, Sennheiser omnidirectional (DRM85) or cardioid
(DRM85-C
$1400)
condenser capsule with an inbuilt, broadcast-quality Flash recorder. DRM85-C
on Amazon $1000
| Fixed internal memory capacity 1 GB | Headphone Jack: 3.5mm stereo socket,
mono signal to both channels. Manual volume control by rotary switch. Output
may be used for audio recording on PC. Drive capability for 32 * headphone,
short circuit protection. The high-quality Sennheiser omnidirectional (DRM85)
or cardioid (DRM85-C) microphone capsule is specially shockmounted to minimise
the transference of mechanical and handling noise through the microphone
body. HHB FlashMic DRM85: http://www.hhb.co.uk/flashmic/
| Distributor Sennheiser
USA The DRMWS Windshield and DRMTS Table Stand are available
as optional accessories.
HHB FlashMic DRM85: http://www.hhb.co.uk/flashmic/
| Fixed internal memory capacity 1 GB
Microphone: http://en.wikipedia.org/wiki/Microphone
| DRM85-C
| HHB FlashMic DRM85-C HHB offers a FlashMic especially for cardiod-loving
audio professionals.
by RICH RAREY, 4.15.2007 Rich Rarey is master control supervisor for National
Public Radio.
Applications: Broadcast, field recording
Key Features
"US friendly" cardiod pickup; all basic components
of the well-received HHB DRM85; 1 GB Flash memory; USB port; a light 13
ounces; long battery life; recordings protected from battery failure; two
format algorithms using three sampling frequencies
The HHB DRM85 FlashMic crossed my home office desk
some months ago, and I wrote then that the full-featured flash recorder
in a microphone body was impressive, great for those professionals and
serious amateurs who need to make quick monaural recordings. That is still
true. But while the European market has clutched the DRM85 to its professional
bosom, according to reports, the American market has chafed with the omidirectional
pickup pattern. The market chafed, that is, until the release of the DRM85-C
Flash Mic with cardioid pickup pattern. This should satisfy the American
need for tighter sonic pickup, while keeping the fine features of the original
DRM85.
Features
The DRM85-C, like its predecessor, has 1 GB of flash
memory, a USB port, headphone jack and is powered by two AA batteries.
It's still a very light 13 ounces.
The Cardioid pattern drops 3 dB around 60 degrees off-axis,
and 6 dB at 90 degrees, while the frequency response curve shows rising
voltage levels above 1.1 kHz topping to a 5 dB relative peak around 5 kHz,
descending 3 dB at 7.5 kHz and descending 25 dB to 20 kHz. A 12 dB/octave
rolloff at 100 Hz can be engaged in boomy environments. Headphones are
plugged into the standard 1/8-inch stereo mini jack on the microphone's
base, and allow source monitoring and listening to track playback.
The DRM85-C controls are very simple: three buttons
and a spring loaded jogswitch. The three buttons control "transport" functions
of "Record," "Play" and "Stop/Menu." The jogswitch acts as a soft-selector
for dialing amongst menu items, and for adjusting the record and headphone
levels. The status of the FlashMic is easily seen in a small backlit LCD
display on the side of the body.
It is very simple. The FlashMic, in fact, has a pre-record buffer whereby
the 10 seconds of audio prior to pressing the Record button are recorded
to the audio file.
There are two audio formats: Linear 16-bit PCM (.wav) or ISO MPEG1 Layer2 ("MP2"), at a sampling frequency of 48 kHz, 44.1 kHz or 32
khz. Both are popular audio formats, and the data-compressed
MP2 format is robust and tolerant of multiple transcodings.
Recording times using the 1 GB internal memory range
from three hours (.wav, 48 kHz sampling) to over 18 hours (.mp2, 32 kHz sampling, bitrate 128
kbps).
There's no problem recording different formats on the
memory card, so one can choose better quality for critical audio and later
a lower quality format for more recording time, say for a stakeout.
Getting the audio out of the FlashMic is simple, too: plug the provided USB cable into the base of the FlashMic,
and then the other end into your Mac or PC, and the computer recognizes the FlashMic as a USB Storage
device and presents the file tree as just another removable drive.
Simply click 'n' drag files from the "audio" directory
and onto your computer's drive — it'll take about 10 minutes to transfer
an hour's audio.
The latest firmware revision even enables the FlashMic to operate from the computer's
USB port power, so even if the mic's AA batteries are removed, you can
still access the audio.
The complicated part — audio encoding selections, file
naming conventions, and the like — can be revealed or concealed to the
user depending on how the nine user-defined presets are configured.
The FlashMic is a CPU-like device, so HHB has included
a CD-ROM for your PC or Mac containing a simple preset-configurator — the
"FlashMic Manager" application — for creating and uploading the nine presets
into the FlashMic.
Each preset specifies over a dozen recording and audio
properties for the mic.
File format, sample rate, number of seconds to hold
in the pre-record buffer (or none), manual record level or Automatic Gain
Control (AGC), High-Pass filter, the LCD backlight options, and even a
setting for properly displaying alkaline and rechargeable battery life.
Just as important, file naming conventions can be specified,
plus the text of the "Reporter Name," "Company Name" and "Description"
fields is embedded in the data chunks of the sound file. The configuration
is stored in the FlashMic as a plain-text file in its own directory, but
HHB cautions against editing it directly.
In Use
I took the DRM85-C FlashMic out of the box and stared
blankly at it — it'd been months since I'd worked with the DRM85 — and
then I realized, "Don't think; record."
I pressed the jogswitch to power up the device and,
after the short bootup process completed, pressed the Record button. The
FlashMic obediently began recording. Whew, no surprises. The LCD display
counting down the remaining recording time. A small red LED in the microphone
base also lights up when in record; the LED can be toggled on and off by
pressing and holding the Play button while in Record — useful when you
don't want others to see the red recording light.
The default setting uses AGC for level control. Pressing
and Holding the Record button while in record "locks out" the transport
and power buttons to prevent accidental stops. Pressing and holding Record
unlocks the transport and power buttons. A brief press of the Record button
places a marker — a "data flag" — in the file for easy locating later.
The markers were visible at the waveform's top when I opened the file in
Adobe Audition. After recording, press Stop, and the file is quickly closed.
I listened to the file in headphones by pressing Play and shuttled around
the file by turning the jogswitch "forward" or "backward." The headphone
level was too loud, so I pressed and held the jogswitch until the display
showed "Phon," and turned the level down by moving the jogswitch backward.
The DRM85-C's firmware is easily upgradable; HHB provides a downloadable file and instructions
that involve nothing more than dragging a 268 kilobyte binary file onto
the FlashMic's root directory and powercycling the mic. HHB is also provides
a downloadable CD image for the FlashMic Manager software, making that
installation even easier.
I checked the sonic qualities of the DRM85-C by first
evaluating its cardioid pattern recording in a high-ceilinged living room,
resting the mic on a candle holder —not on a stand and not even using the
provided
mic clip — and about 12 inches from my talkative subject. My subject,
as with most people, quickly forgot about the mic, and I recorded over
an hour in the room. I downloaded that large, linear file to my desktop
computer and was pleased with the AGC's gentle touch, and impressed with the mic's sonic quality at one foot.
Others talkers across the table from my subject were
understandable, but well off-mic.
Proximity is important, as with any standard cardioid
mic; the user must remember the DRM85-C is not a "shotgun
mic" or have parabolic characteristics.
A close friend who hosts and produces Podcasts listened
to my playback, and complimented the DRM85-C in a salty fashion:
"Wow!" she said. "This mic recording sounds really
good…I gotta get me one of these; can you lend it to me for awhile?" I
did, and she started voice-tracking her Podcast script on the spot.
"Wait," I begged. "Let's listen to the playback to
get the right mic position for you."
We did, and found the DRM85-C is not pleasing against
the lips; the unprotected capsule exhibited plosives and dull muffled sibilances
— exactly opposite of what we'd heard in our initial recording.
We backed the mic off to the "international broadcast
standard" of 3 - 5 inches and the quality bloom returned.
I mention this because the DRM85-C's light weight and
lack of cabling will cause inattentive users to inadvertently swallow the
mic, producing similarly stifled results.
summary
My producer friend was thrilled, and left happy, vowing
to do all of her Podcast voice-tracks on the DRM85-C — if I'd only let
her. The FlashMic proves once again to be an easy to use, flexible, well-performing
tool.
Edirol R-09 Portable 24-Bit WAV/MP3 Recorder
& Player $400
Edirol R-09 Portable 24-Bit WAV/MP3 Recorder & Player
$400
Edirol R-09 Portable 24-Bit WAV/MP3 Recorder &
Player Pristine 24-bit recording to go! The R-09 takes many
of the most desired features, 24-bit uncompressed recording and a built-in
stereo mic, and shrinks it all down into a more streamlined, stylish, and
affordable package.
* 24-bit/48kHz (or 44.1kHz) uncompressed recording * Up to 320kbps MP3 playback and recording * Records to SD card (64MB card included) * SDHC compatible * High-grade stereo condenser microphone built in * Mic and Line audio inputs; USB I/O * Easy operation, user-friendly graphic display * Ultra portable, half the size of the R-1 * Long battery life - Approx. 5.5 hours playback /
4 hours recording
Crystal-Clear Capture It’s ultra small and looks like a gadget, but make
no mistake — the R-09 is a serious, top-quality professional recorder.
Capture source material at a crystal-clean 24-bit resolution with your
choice of 44.1 or 48kHz sample rates. You can record and play back in MP3
format as well (up to 320kbps). Once recorded, your files can be monitored
through the R-09’s headphone jack and/or exported to a computer via USB. Microphone Included
To record audio into the R-09, there’s no extra gear
to buy or no cables to connect. A quality stereo microphone is built right
into the unit, complete with a dedicated input control, mono/stereo selector,
low-cut filter, and gain boost. Just point and record! If you wish to use
an external microphone, the R-09 offers a 1/8 in. mic input.
More Than Music The R-09 is perfect for capturing live music events,
recitals, and rehearsals. It’s also handy as a songwriter’s sketchpad,
ensuring that no moment of inspiration is lost. But the R-09 has many valuable
uses outside of the music world as well. Students can use it to record
lectures. Broadcasters and journalists can throw away their antiquated
cassette recorders and use the R-09 for in-the-field interviews. Wherever,
whenever there’s a need to capture audio, the R-09 can do it hassle-free
thanks to its built-in microphone and long battery operation.
Inputs and Outputs Audio inputs: * Internal Stereo Microphone * Mic input jack (stereo miniature phone type, plug-in
power supported) * Line input jack (stereo miniature phone type) * The mic input jack and line input jack cannot be
used simultaneously (line input takes priority)
Audio outputs: * Headphone jack (stereo miniature phone type) * Digital output jack (optical miniature phone type) * Line output jack (stereo miniature phone type) * Headphones, digital output, and line output share
the same jack USB interface: Mini-B type connector Effects: Playback Reverb Display: 20 characters, 2 lines (Organic Light Emitting
Diode) Power supply:
* AC adapter (PSB-6U) * 2 AA batteries (not included) Supplied Accessories:
* AC adapter PSB-6U (3V DC 1A universal) * SD Card (64MB) * USB cable (Mini-B type) * Owner's manual Dimensions:
* 2-1/2 x 4-1/16 x 1-3/16 in. (62.6 x 102 x 29.1 mm) * 6 oz. (145 g) including batteries and memory card
The Marantz PMD620 is a high performance handheld digital recorder that
records to SD flashcard media in either PCM (.WAV) or MP3 audio formats.
The light weight compact form (just 62 x 102 x 25 mm), ergonomic design
and ease of operation recommend the PMD620 to a wide range of users, including
journalists, reporters, programme makers, podcasters, musicians and sound
recordists everywhere.
Features include an inbuilt stereo condenser microphone
array for ‘point and shoot recording’, and an intuitive control surface
for single handed operation, with thumb operated transport wheel and tactile,
red illuminating, record button.
A high contrast, low power draw organic LED (OLED)
screen provides vivid display of menus which guide the user through the
optimum set up and operation for their application.
Recording settings are selectable between those for
high quality music recording to extended voice recording. The use of SD
cards, the most stable and commonly available type of flash media, includes
support for SDHC (SD High Capacity) cards, with recording file size limited
only by card capacity. Recording time with a 4 GB card extends from 3 hrs
44 mins for stereo PCM at 24-bit / 48 kHz, to 283 hrs 44 mins ? almost
12 days ? for mono MP3 at 32 kbps.
Journalists and podcasters will appreciate the PMD620’s
non-destructive onboard editing, with non-destructive cut-and-paste ‘Copy
Segment’ editing to create new sound files. Transcription is simple with
the Skip Back function, and file transfers to any computer are drag and-drop
via the USB 2.0 connectivity.
Applications: - Broadcasting - Podcasting - Location recording - MI (musical instrument) demoing - Education - Meeting and conferencing
Features: - Handheld portability, compact rugged design - Single handed operation and one-touch recording - User configurable, high contrast OLED display - Solid state SD and HSD card recording media - Selectable stereo / mono / .WAV / MP3 recording - Selectable 16 bit and 24 bit recording depths, 44.1
kHz and 48 kHz sample rates, and six MP3 bit rates from 192
kbps to 32 kbps - Professional recording, editing and playback features - Integrated stereo condenser microphone array - Mic and line level external inputs - Internal playback speaker - USB 2.0 connectivity to PC, for drag and drop file
exchange - Power from two AA cells typically provides 4 hours
operation
Included Accessories: - AC Adaptor - USB cable - User Guide - CD-ROM - SD card - Tripod mount/belt adaptor - Wrist strap - USB cable
Specifications: Digital audio system System -Solid State Recorder Usable media- SD/SDHC cards Recording format - MP3 MPEG1 LayerIII Compression
/ WAV 16/24 bit linear PCM Recording MP3 bitrate - Stereo 192/128/64 kbps / mono
96/64/32 kbps Sample rate - 44.1/48 kHz Number of channels - 2 (Stereo)/1 (Mono) Frequency response- 20 Hz (±0.5 dB) to 16
kHz (±0.5 dB) S/Noise Ratio- IEC-A weighted MIC 65 dB LINE 80 dB Total harmonic distortion at 0 VU MIC 0.1% LINE 0.015% Dynamic range 90 dB
Inputs External MIC Type 1/8" stereo jack Input sensitivity 12 mVrms/30 kohms LINE Type 1/8" stereo jack Input sensitivity 500 mVrms/20 kohms
Outputs LINE Type 1/8" stereo jack Standard level 1.0 V/10 kohms Headphone Type 1/8" stereo jack Standard level 16 mW/16 ohms
Speaker Standard level 150 mW/8 ohms
General Power consumption Recording/Playback 4.0 W (DC) Battery life (Alkaline) 4 hours (typical) Phantom power 5V, 1mA Environmental conditions Operational temperature 0 to 40°C (32 to 104°F) Operational humidity 25 to 85% (no condensation) Storage temperature ?20 to 60°C (?4 to 140°F) Dimensions & weight: (H x W x D): 2.5” x 4” x
1” (62mm x 102mm x 25mm) - 0.3lbs / .11kg
Tascam DR-1 Portable Digital Recorder $300 http://www.tascam.com/products/dr-1.html
| The Tascam DR-1 puts world-dominating power into your
pocket. Its built-in stereo microphones include a unique variable angle
mechanism, so you can set it to record from any angle. The DR-1 is the
first portable recorder to include a 1GB card, so you'll have plenty of
CD or MP3-quality recording time for long rehearsals and concerts. And
with a street price of just $299, everyone's gonna want one. A pair of microphones is mounted on a variable angle
mechanism, which allows the recorder to record from almost any angle. The
built-in stereo condenser microphones are arranged for a wide stereo image,
and an external mic can also be used. The unit includes a generous 1GB
SD card for hours of recording at MP3 or WAV file formats. The DR-1 also
includes auto gain control and analog limiting for easy setup and a low-frequency
cutoff to eliminate handling or wind noise.
* Portable, Handheld Recording * Built-in High-quality Stereo Condenser Microphone * Variable Angle Microphone Mechanism with A/B Configuration * 48 or 44.1kHz 24-bit Recording Resolution * MP3 and WAVE file Recording and Playback * Switchable Low Cut Filter * Analog Auto Gain Control * Analog Limiter * Rechargable Lithium-Ion Battery * USB 2.0 Connection to Computer * Built-in Tuner and Vocal Cancel Features * Overdub Feature to record narration, singing or
instruments over an existing recording Dimensions (not including protrusions):
* 2.8 x 1.1 x 5.3 inches (70 x 27 x 135.3 mm) * 7.34 oz. (208 g) including battery
Zoom H2 Portable 24-Bit WAV/MP3 Recorder
& Player $200 Zoom H2 Portable 24-Bit WAV/MP3 Recorder
& Player $200
New from Zoom, the H2 Handy Recorder provides studio
quality stereo recording in an easy-to-use, ultra-portable device. Now
everyone can record pristine audio in an infinite variety of applications.
From seminars and conferences, to interviews, electronic news gathering
(ENG) and podcasting, to musical performances, songwriting sessions and
rehearsals, the H2 provides amazing stereo recording quality. For brilliant stereo recording, and plenty of extras,
there's never been a simpler or more functional solution than the H2 Handy
Recorder from Zoom
* Mid-Side mic patterns with 3 mic capsules and signal
processing allows Front 120° cardioid, Front 90° supercardioid,
Rear 120° cardioid, Rear 90° supercardioid and 360° polar patterns * Backlit LCD display (128x64) * Built-in USB 2.0 for data transfer and allows the
H2 to be used as a USB audio interface * Records in WAV 96kHz/48kHz/44.1kHz at 16-bit or
24-bit, MP3 to 320kbps and Variable Bit Rate (VBR) data formats * Time Stamp and Track Marker functions in Broadcast
WAV Format (BWF) * 512MB SD memory card included * Accommodates up to 4GB SD memory cards * Auto Gain Control (AGC) for pristine recordings * Auto Record function senses input signal to start/stop
recording automatically * Pre-record function uses 2 second buffer so you'll
never miss a beat * Low-cut filter eliminates wind noise * On-board chromatic Guitar/Bass tuner * Powered by 2 AA batteries or included AC adapter * 4 hours continuous recording time * 4.5 hours continuous playback time Dimensions:
* 2.5" x 4.3" x 1.3" (63.5 x 110 x 32 mm) * 3.88 oz. (110g) Supplied Accesories:
* AC Adapter (120VAC to 9VDC) * Stereo Earbud Headphones * 512MB SD Card * 3.5mm to RCA Stereo Y Cable * USB Cable * Mic Clip Adapter * Desktop Stand * Windscreen
The Zoom H4 Handy Digital Recorder
The Zoom H4 Handy Digital Recorder Zoom H4 Portable 24-Bit WAV/MP3 Recorder & Player
$300 The Zoom H4 Handy Digital Recorder fits in your palm
and is ideal for recording live musical performances, interviews, podcasts,
meetings, classes and seminars. The H4 allows you to record 24-bit/96 kHz
digital audio as well as in MP3 format with bitrates up to 320kbps.
It’s also a 4-Track Recorder!
Mobile Field Recording
* Fits in the palm of your hand * Ideal for infinite variety of mobile recording applications * Back-lit, 128¥64 pixel LCD display * 2 track mode for stereo recording * 4 track mode for multi-track recording * WAV recording up to 24-bit/96 kHz * MP3 recording up to 320kbps * Two studio quality X/Y pattern stereo condenser
microphones for true stereo recording * Two combination XLR-1/4-inch input jacks with 48
volt phantom power * Onboard studio effects compression, limiting and
mic modeling * 1/8-inch headphone jack provided for monitoring * USB mass-storage interface (MAC and PC compatible) * Using a 2GB SD memory card provides 380 minutes
of recording with CD Quality sound * Up to 34 hours recording in MP3 stereo mode * 4 hours of continuous recording operation from 2
AA batteries
4-Track Recording * 4-track audio in CD quality 16-bit PCM, 44.1 kHz
sampling * Combination high-impedance phone inputs for vocals,
guitars, bass or keyboards. * Built in guitar amp modeling equivalent to the Zoom
G2
Audio Interface * Records directly to your computer as a USB audio
interface * Bundled with Cubase LE, 48-Track Digital Audio Workstation
software
Supplied Accessories: * AC adapter (9VDC 300mA) * Windscreen mic cover * USB Cable * Tripod adapter * 128MB SD Card * Cubase LE, 48-Track Digital Audio Workstation software
Dimensions: * 70 (W) x 152.7 (D) x 35 (H) mm * 190g
I was given the Zoom H4 Handy Digital Recorder to review
for our Last Gadget Standing competition. The verdict: It's too complicated
for the average consumer.
At first sight, I wasn't sure what exactly this recorder
did or why it retails for $299. It looks a lot like a taser gun, with two
condenser microphones in an X/Y pattern protected by bars to prevent unnecessary
damage. A foamy windscreen is also included for outdoor use. The recorder
itself records onto an included SD card (128MB), which can be swapped for
a higher-capacity 2GB card to record longer jam sessions. It's powered
by an AC adapter, or two AA batteries if you go mobile, and connects to
your computer via USB to transfer recording.
This recorder is made for musicians, podcasters, and
perhaps even journalists who'd like to record interviews at CD quality.
But unless you need to capture tracks individually to mix later or add
effects to your rendition of "Purple Haze," you won't need such an expensive
tool. Sure, it would be nice to be able to record entire concerts or band
sessions or to create podcasts without capacity limitations, but you can
easily do this with a microphone attachment made for iPods that will cost
you around $20.
This is one of those gadgets that requires you to read
the manual to operate it. I had trouble understanding the menu, jog wheel,
and navigation, although recording was pretty intuitive. The gadget can
record WAV files at 44.1kHz, 48kHz or 96kHz, as well as MP3 files. I think
one of the main features of this recorder is the ability to record and
play back tracks simultaneously, thanks to a four-track mode. This means
musicians can record vocals, bass, guitar, and drums on separate tracks
and later either mix them or add effects on the included software, Cubase.
As a recorder, the H4 is very sensitive to background sounds, picking up
every sound made when you're recording. For this reason, the company recommends
using a tripod.
The TuneTalk from Belkin features two high-quality
omnidirectional microphones for recording music, memos, lectures, interviews,
or conversations in full stereo. Review your CD-quality audio later by
using your earbud headphones or computer. Also has an 1/8"
stereo mic input for use with an external microphone. Wow!
* Offers CD-quality, stereo recording * High (16b, 44.1kHz, stereo) * Low (16b, 22.05kHz, mono) * Built-in high quality omnidirectional stereo microphones * Auto-gain with adjustable sensitivity switch optimizes
recording quality easily in different environments * Features auxiliary 1/8" (3.5mm)
stereo input jack for recording with an external
microphone, or virtually any other audio source * Indicates recording status with lighted LED * Clipping indicator for distortion free recordings * Navigates easily to recording menu with a single
press of the “Quick Memo” button * Charge your iPod while recording with included USB
cable * Copy your recordings to your computer for storage,
editing, email * Attaches securely to your iPod via the dock connector * Fits most iPod cases * Includes a portable stand for convenient placement
of your iPod while recording * Includes plastic spacer to keep your iPod stable * Requires no software installation * Works with iPod software version 1.1 or later * Compatible with: 5th generation iPod (video), 2nd
generation iPod nano
Package Includes: * TuneTalk Stereo for iPod * USB Cable * Plastic iPod Stand * Plastic Spacer * User Manual
Free Integrated Software Solution The MR-1 comes with Korg’s innovative and powerful
AudioGate™ software for Mac® and PC. AudioGate can convert 1-bit recordings
into WAV and AIFF formats at various bit-rates (and vice versa) and offers
real-time conversion and playback of 1-bit files using your computer’s
audio hardware.
It features a 20Gbyte internal hard drive, offering
up to six hours of recording at the highest audio quality (1-bit 2.8224 MHz stereo),
or approximately thirty hours at CD quality (16-bit 44.1
kHz).
High-speed USB 2.0 connectivity provides for fast and
easy transfer of files between the recorder and your computer. The MR-1
runs on AC or long-life rechargeable lithium polymer battery.
The maximum continuous recording time is approximately
six hours when using an AC adapter.
Supported OS: Mac OS X 10.3.9 or later (Intel-based
Mac supported)
Description: Future-proof digital recording is here!
With the pristine fidelity and ultimate flexibility of 1-bit technology,
the new, surprisingly affordable MR-1 sound recorder ensures that your
location recordings and final masters are never obsolete. The hand-held
MR-1 provides high-quality 1-bit/2.8 MHz recording and playback in a shirt-pocket
portable package that is perfect for location recording, broadcast journalism,
podcasting, live music performances even for rehearsals and song-writing
sessions. By recording in 1-bit/2.8 MHz format you are assured that your
most important, once-in-a-lifetime moments are captured in stunning detail,
and ready for whatever the future brings you. And back in the studio it
also provides superb final mix and archiving benefits. Powerful new software
bundled with the Korg MR-1 recorder enables the conversion of your 1-bit
recordings and mixes into all of today's audio formats without degradation.
Best of all, by archiving your data in 1-bit format you're ready for the
future, as playback systems and standards change.
Real world features The Korg MR-1 supports multiple recording formats
including DSDIFF, DSF, and WSD 1-bit formats, as well as multi-bit PCM format with resolutions up
to 24-bit/192 kHz. It features a 20GB internal hard drive, offering up to six hours of recording at the highest
audio quality
Boss MICRO BR $230 Boss MICRO BR Portable Digital Recorder & Player
MICRO BR in Your Pocket or Guitar Case The MICRO BR is so small you can put it in your pocket!
It measures just 136.0 mm x 81.0 mm x 21.4 mm (5-3/8" x 3-3/16" x 7/8").
But even though it’s tiny, the MICRO BR packs an entire studio’s worth
of features into its tiny case. There are a dozen buttons on its front
panel, nine knobs, and even a built-in microphone for quick capture.
Four Tracks & More At its core, the MICRO BR is a four-track studio with
four simultaneous playback tracks and two simultaneous record/input tracks.
However, there’s more to this recorder than meets the eye. Each of the
four main playback tracks also has eight companion V-Tracks (for a total
of 32), so you can record take after take after take, then pick your best
material for final mixdown.
Drum Machine & Effects Onboard Given the MICRO BR’s small size and low price, you
might be surprised to find the next two features onboard:
(1) Almost 300 drum patterns are included. Use them
for play-along inspiration or even as song foundations. The rhythms don’t
consume any of the four playback tracks — they play back independently.
(2) A quality multi-effects processor is onboard, including
a time-stretch algorithm for changing the tempo of your audio tracks without
changing pitch - a great tool for both audio editing and phrase training.
The Time Stretch feature can also be used with MP3 data; the MICRO BR's
Center Cancel feature can be applied to MP3 data as well. MP3 Compatibility
The MICRO BR is capable of loading and playing MP3
files. Load up your favorite guitar hero song via USB, slow down the tempo
with no pitch change, and learn all of your favorite licks. You can even
use the MICRO BR as a standard MP3 player. All of your data is stored on
convenient SD (Secure Digital) media found in common electronics shops.
The included 128MB card, for example, can record approximately 65 minutes
of audio when one mono track is selected.
* Ultra portable, only slightly larger than an iPod * 16 Characters x 2 Line, White Backlit LCD Display * 2-track simultaneous recording * 4-track simultaneous playback * Built-in Mono microphone * Stereo Mic input with plug-in power * MP3 file playback in bit rate ranges of 64-320 kbps. * Recording modes: MP3 (192/128/64 kbps, 44.1 kHz),
WAV (44.1 kHz, 16 bits) * Multi-effects onboard; dedicated guitar input * Time-Stretch and Center Cancel features (including
MP3 files) * 293 rhythm patterns * Built-in tuner * USB port for data transfer * SD Card slot for recording media
* Battery life: Approximately 4 hours (continuous 4-track playback), approximate 6 hours (continuous MP3 playback) using
2 x AA
* Inputs: 1/8" Mic/Line, 1/4" Guitar/Bass, USB
* Outputs: 1/8" Headphone/Line, USB
* Power supply: 2 x AA Alkaline batteries, Optional AC adapter not
included (9V DC)
Dimensions: * 5-3/8" x 3-1/4" x 7/8" (136 mm x 82 mm x 22 mm) * 5 oz. (130g) without batteries
Supplied Accessories: * 128MB SD card * 2 AA alkaline batteries * Soft case
M-Audio MicroTrack 24/96
M-Audio MicroTrack 24/96 24/96 Bit WAV/MP3 Recorder & Player $350 a rugged high-fidelity mobile 2-channel digital recorder
that records WAV and MP3 files to CompactFlash or microdrives.
The MicroTrack is a rugged high-fidelity mobile 2-channel
digital recorder that records WAV and MP3 files to CompactFlash or microdrivesperfect
for everything from professional field recording to corporate meetings,
training, education and worship. Record via balanced line inputs or built-in
high-fidelity microphone preamps complete with phantom power for studio-quality
microphones. Connect MicroTrack to a PC or Mac via USB and simply drag
and drop recordings to your computer for immediate editing or Web posting.
Power derives from a lithium-ion battery, and the unit can recharge via
the computer's USB connection or USB power adapter. The MicroTrack combines
quality beyond that of DAT recording with the convenience and cost-effectiveness
of personal digital recorders for the ultimate solution in mobile recording.
Edirol R-09 $400
Edirol R-09 $400 Portable 24-Bit WAV/MP3 Recorder & Player Pristine
24-bit recording to go!
The R-09 takes many of the most desired features, 24-bit
uncompressed recording and a built-in stereo mic, and shrinks it all down
into a more streamlined, stylish, and affordable package.
* 24-bit/48kHz (or 44.1kHz) uncompressed recording * Up to 320kbps MP3 playback and recording * Records to SD card (64MB card included) * High-grade stereo condenser microphone built in * Mic and Line audio inputs; USB I/O * Easy operation, user-friendly graphic display *
Ultra portable, half the size of the R-1 * Long battery life - Approx. 5.5 hours playback /
4 hours recording Crystal-Clear Capture
It’s ultra small and looks like a gadget, but make
no mistake — the R-09 is a serious, top-quality professional recorder.
Capture source material at a crystal-clean 24-bit resolution with your
choice of 44.1 or 48kHz sample rates. You can record and play back in MP3
format as well (up to 320kbps).
Once recorded, your files can be monitored through
the R-09’s headphone jack and/or exported to a computer via USB.
Microphone Included To record audio into the R-09, there’s no extra gear
to buy or no cables to connect.
A quality stereo microphone is built right into the
unit, complete with a dedicated input control, mono/stereo selector, low-cut
filter, and gain boost.
Just point and record! If you wish to use an external
microphone, the R-09 offers a 1/8 in. mic input. More Than Music The R-09
is perfect for capturing live music events, recitals, and rehearsals. It’s
also handy as a songwriter’s sketchpad, ensuring that no moment of inspiration
is lost. But the R-09 has many valuable uses outside of the music world
as well. Students can use it to record lectures. Broadcasters and journalists
can throw away their antiquated cassette recorders and use the R-09 for
in-the-field interviews. Wherever, whenever there’s a need to capture audio,
the R-09 can do it hassle-free thanks to its built-in microphone and long
battery operation.
* Internal Stereo Microphone * Mic input jack (stereo miniature phone type, plug-in
power supported) * Line input jack (stereo miniature phone type) * The mic input jack and line input jack cannot be
used simultaneously (line input takes priority)
Audio outputs:
* Headphone jack (stereo miniature phone type)
* Digital output jack (optical miniature phone type) * Line output jack (stereo miniature phone type) * Headphones, digital output, and line output share
the same jack
* AC adapter (PSB-6U) * 2 AA batteries (not included) Supplied Accessories:
* AC adapter PSB-6U (3V DC 1A universal) * SD Card (64MB) * USB cable (Mini-B type) * Owner's manual Dimensions:
* 2-1/2 x 4-1/16 x 1-3/16 in. (62.6 x 102 x 29.1 mm) * 6 oz. (145 g) including batteries and memory card
Edirol R-1• Retail Price is $720
to $850 The R-1 stores files directly to Compact Flash -- http://www.edirol.com/products/info/r1.html |
Edirol R-4 $1550 4 Channel 40GB Portable Recorder & WAVE Editor
Marantz PMD660 $500 - $650 The PMD660 hand-held digital recorder joins convenient
solid-state Compact Flash digital recording with Marantz build quality,
for rugged and reliable performance in the field. Record dozens of hours
of MP3 audio on a single Compact Flash card (or as high-quality uncompressed
WAV files) and easily transfer to your computer via USB
Marantz PMD660 Review: http://www.neilsonclyne.com/D_and_M/Marantz/PMD660/MarantzPMD660.html
|
Marantz
PMD671 $1000 to $1200 solid-state Compact Flash digital audio recorder,
Marantz has raised the bar again. The PMD671 can record 24-bit, 96 kHz
audio for incredible sound quality in the field or even in the studio.
Marantz has raised the bar, exponentially. The PMD671
can record 24-bit, 96 kHz audio for the highest sound quality available
in the field or even in the studio. The ability to read-after-write offers
completely new levels of functionality never before available in a field
recorder. Even the mic preamps have been dramatically improved. Then add
programmable presets, and changing formats on the fly is as easy as pressing
a button. Serious professionals need serious tools. If your application
requires uncompromising audio, unflinching reliability, and unprecedented
functionality, you owe it to yourself to take a very serious look at the
PMD671.
Highlights * 24-bit, 96 kHz PCM capable * "Virtual Third Head" for confidence monitoring * Read-after-write capability * Records uncompressed 16 and 24 bit PCM .wav files * Two XLR mic connections with +48v phantom power * RCA line I/O * Built-in monitor speaker * Optional RC600 wired remote control
Sony PCM-D1 Portable Digital Linear PCM
Recorder 2008 eBay $1250
Sony PCM-D1 Portable Digital Linear PCM
Recorder 2008 eBay $1250 The PCM-D1 portable audio recorder is ideal for capturing
live musical and theatrical performances, or for journalists recording
in the field. Features include 96 kHz-24 bit recording capability, 4GB
internal Flash Memory, removable Memory Stick Pro High-Speed storage (optional)
and a built-in USB port compatible with Macintosh? and Windows?/PC operating
systems.
The PCM-D1 is lightweight, free of all drive mechanisms,
equipped with highly sensitive electret condenser microphones, and designed
with circuits that process stereo sound with virtually no extraneous noise.
The body of this portable recorder is made of pressed titanium that's ten
times harder than alumite-treated aluminum.
* Portable and rugged 96 kHz - 24 bit Linear PCM Digital
Recorder * Titanium body for maximum durability and light weight * Ideal for creating superior high-quality stereo
recordings * Built-in Electret condenser microphones * Mounted in X-Y configuration * High sensitivity (-32.0 dB /Pa 1 kHz) * Maximum input level 130 dB SPL * Self noise level 20 dBSPL(A)
* 4GB Built-in flash memory * Memory Stick Pro High Speed slot for additional
storage
* Sampling Rates: 22.05 kHz, 44.1 kHz, 48 kHz and
96 kHz * 16-bit linear and 24-bit linear Signal Processing * USB 2.0 mass storage device - easily connects with
both PC or Mac * Inputs: Line in, Microphone in, * Outputs: Headphone out, Line out, Optical Digital
out * Power requirements: DC Input 6V or Four AA batteries
Dimensions:
* 2 7/8" x 6 3/4" x 1 5/16" (w x h x d) not including
projecting parts and controls * 18.52 oz (including batteries)
Supplied Accessories:
* Windscreen * Carry Case * AC Power Adapter (6V) * USB Cable * Wrist Strap * Battery Charger * 4 - AA Ni-MH Rechargeable Batteries * AA Battery Case * Application Software CD-ROM: "DigiOnSound5 Express
for Sony"
Sony PCM-D50 Portable Linear PCM Recorder $500 The PCM-D50 is a 96 kHz/24-bit recorder fitted with
two-position (X-Y or Wide) stereo microphones, 4 GB of internal flash memory
and a Memory Stick Pro-HG Duo™ slot (for additional storage). The body
of the D50 is constructed of lightweight metal (aluminum) and it's built
rugged to withstand the demands of pro applications, plus it offers long
battery life using conventional AA alkaline batteries. The recorder includes
a USB high-speed port for simple uploading/downloading its native .WAV
format files to/from Windows® PC or Macintosh® computers. Other
unique PCM-D50 features include digital pitch control, dual digital limiter
(inherited from the PCM-D1), low-cut filter, Super Bit Mapping®, A-B
repeat and MP3 playback capability. To complement the D50 recorder, new
optional accessories include a remote commander, tripod stand, and microphone
windscreen. Additionally, the D50 offers compatible mounting and use with
the recently introduced XLR-1 wide-bandwidth balanced XLR microphone adapter.
* Portable and rugged 24 bit / 96 kHz recorder * 4GB flash memory built-in - records up to 6 hours
@ 16 bit 44.1kHz WAV format * Memory Stick Pro-HG Duo™ slot (for additional storage) * LCD digital peak bargraph metering - along with
dedicated nominal and peak level LED's * Offers solid-state storage - free of drive mechanisms * Built-in high quality electret condenser stereo
microphones with 2 selectable polar patterns, X-Y and Wide Stereo * High sensitivity -35.0 dB/Pa 1kHz (typical) * Maximum input level 120 dB SPL * Self noise level 20.0 dB SPL (A) * Dual A/D digital limiter and low cut filter * 1/8" Stereo mic input (for use with external microphones) * 5 second pre-recording buffer * MP3 playback * Digital pitch control * SPDIF Digital Input and Output * Superior Audio Signal Path with four separate circuit
boards to separate analog audio, digital audio, digital recording and power
supply circuits - helps minimize noise * USB 2.0 for Simple High speed uploading to both
Windows and Mac computers * Powered by 4 AA alkaline batteries (supplied), 4
Ni-MH rechargeable AA batteries (not supplied), or supplied AC adapter * Up to 26 hours playback and 24 hours recording time
(with 4 AA alkaline batteries) Dimensions:
* 2 7/8" x 6 1/8" x 1 5/16" (w x h x d) not including
projecting parts and controls * 12.88 oz (including batteries) Supplied Accessories:
* USB cable * AC adapter (6V) * 4 AA alkaline batteries * CD-ROM with Sound Forge Audio Studio LE * Owners Manual Maximum recordable time (approximate)* Built-in 4GB flash memory
Multi-track recorder. Made by Zoom. (EM.PS-04)
$150 The PS-04 is the world's most affordable portable
4-Track Recorder!
The PS-04 provides 4 audio tracks, a stereo drum track,
a bass track, modeling, multi-effects and a built-in microphone. Each of
the 4 tracks provides 10 virtual takes, so you can record several performances,
and use the best one. A complete array of digital editing facilities are
built in, including bounce, copy, move, erase and trim-with no data degredation.
The input mixer is compatible with all guitars, bass
and mics, and 2 track simultaneous recording is available. The PS-04 even
provides Auto/Manual punch in-out, marker locating, EQ and pan for each
track, and other functions comparable with full-sized Zoom hard disk recorders.
SmartMedia The PS-04 uses SmartMedia as a recording medium. SmartMedia
cards are light weight and low-priced. 128MB SmartMedia provides over 65
minutes recording time (in mono Hi-Fi mode). When you fill up a SmartMedia
card, you can move all your song data to your computer susing a USB memory
card reader (sold separately). Card Manager, a free software program, is
provided on the Zoom website and includes WAV/AIFF converter functions.
Drums & Bass Included Zoom has some of the best linear PCM drum sounds in
the business. The PS-04 has 7 different drum kits, and 190 preset patterns
are included. Of course you can proram your own beats, too. Use Zoom's
exclusive FAST (Formula Assisted Song Translator) programming for quick
song structures and rhythm programming. The PS-04 also has a built-in programmable
bass machine with 6 different bass guitar tones.
Effects 5 types of effect algorithms are provided: Guitar/Bass,
Mic, Line, Dual and Mastering. Choose from 94 types of effects, including
6 effects simultaneously within 5 effect modules. Memory is provided for
saving up to 220 effects patches.
Individual send/return effects are also provided. This
allows you to put great-sounding effects on your recordings. When you mix
tracks down to stereo, you can add Mastering effects for the perfect finish.
Built-In Microphone The built-in microphone is a high-quality mic with
a dedicated pre-amp, and will provide excellent results on acoustic guitar,
other acoustic instruments or vocal recording. The mic also allows the
built-in chromatic tuner to be used on acoustic instruments.
Good To Go! Perfect for the darkened tour bus traveling at night,
the PS-04 features a backlit LCD display, and all the buttons are lit as
well. The device will operate for over 5 hours using 4 AA batteries. Take
it anywhere, anytime!
Features: • 4 audio tracks, each with 10 virtual tracks • Programmable drum/bass machine • 94 effects • High-quality built-in mic with preamp • 65 minutes recording time on a 128MB SmartMedia
card • Over 5 Hours recording time on 4 AA batteries • Auto-chromatic tuner • AC Adapter sold separately
JOHN
LONGENECKER |
