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Sony HC1 Review | wiki | FX1 | Sony HD: http://www.sonyhdvinfo.com/ |
Review: http://www.luminous-landscape.com/reviews/cameras/sony-hc1.shtml |
Sony Info: http://www.sonyhdvinfo.com/forumdisplay.php?f=24 |
Review: http://www.luminous-landscape.com/reviews/cameras/sony-hc1.shtml |
Sony HDR-HC1 10:1 zoom lens: 5.1 to 51mm
-- wide attachment 0.45 x 5.1 = 2.295mm
SONY not as wide as a typical camcorder lens: 4.5 to 54mm = 32.5 to 390mm in 35mm
Sony HC1 Mic Shoe:![]()
Sony Active Interface Shoe (AIS)![]()
SONY HC1
You need to get this mic shoe adapter for standard / universal mic shoes to work on the Sony HC1
AIS FLAT COLD SHOE ADAPTER
This adapter allows the use of a universal shoe compatible device on a Sony camcorder
that has the Active Interface Shoe (AIS). It is currently the lowest profile AIS adapter available.
This adapter does not provide electrical or audio connections to the camcorder though the AIS socket.
-- http://dm-accessories.com/AIS-FLAT.php |
You can buy it online at the site above - they have a shopping cart and check out with credit card or PayPal
Camcorder Microphone Test![]()
Canon HV20 mic test | QuickTime 7 | Windows Media |![]()
AUDIO
Sony HC1 Review |
Using the audio capabilities of the HDR-HC1 is like a nice trip down "Camcorder Memory Lane;" back when HDV camcorders didn't exist, when mid-range DVD cost over $1,000, and when Sony camcorders were considered the best for manual control, including audio options.![]()
To start -- the HDR-HC1 has a microphone input !-- Red: mic IN
-- Green: headphone INNo, you aren't imagining it: the camcorder really does have a shiny, 1/8 in. hole, covered with a small piece of rubber where you can plug in a microphone.
Good job Sony, good job Sony, good job Sony. I feel like I need to repeat it to make up for all the times in the past year that we've blasted them here, in newspapers, and on TV for not putting microphone inputs on their consumer models. I will say it again, thank you Sony. Whatever Sony camcorder exec was stubborn enough to demand a microphone input, he or she is my hero. The microphone input is located nicely right under the lens barrel on the right side, above the headphone out jack (props for that too). It's recessed inwards by about 3/8 of an inch. Its recessed position has an added bonus of tucking the plug portion of a microphone's cable in a bit, so you don't have it protruding as much from the camcorder's side.
Next stop on our little nostalgia trip is manual audio level control. Using the touch screen, you can set the audio level of either the HDR-HC1 on-camera microphone or an externally connected microphone. When you adjust the microphone level, the camcorder displays a dual channel audio monitor; however, you can only adjust the overall audio level, not the left and right sides independently. The camcorder gives you 32 steps of audio levels. Even cooler, when you manually set the audio levels, the HDR-HC1 displays a two-channel audio level monitor in the upper left-hand corner of the screen. The camcorder also offers manual volume control of the audio out with the volume lever during playback/VCR mode. This is more convenient than fiddling in the touchscreen for a volume control.
The on-board microphones on the HDR-HC1 are neatly placed on the sides of the lens barrel, apart from each other. In our informal testing, the audio was above average, producing less general noise, though, as always, you should really just rely on an external microphone.
The HDR-HC1 allows you to do audio dubbing in SP mode. Additionally, the camcorder includes a neat "Audio Mix" feature which allows you to change the mix of the audio from the original tape audio to the newly recorded audio. Another small audio add-on is the ability to customize playback for stereo and multi-channel situations. There is an option to select if to playback on just the left channel or the right channel. Like any other camcorder in MiniDV mode, you can't use 16 bit audio if you want to do dubbing however but must make your initial recording in 12 bit.
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Sony's proprietary intelligent accessory shoe
There is one major downside to the audio options on the HDR-HC1, which is why it didn't score higher. There is no easy way to connect a non-Sony microphone to the camcorder body itself. While the microphone input will allow you to bring in an audio signal, since the accessory shoe is Sony's proprietary intelligent accessory shoe, there is no way to physically lock down a mic. Now don't get me wrong, I would rather have a microphone input with no included way to attach the microphone than no mic input at all, butI really wish Sony would have bucked their proprietary camcorder trend of late
to include a standard sized accessory shoe.However, this flaw really shouldn't deter you from still liking the audio options on the HDR-HC1. There are many alternatives to this shoe handicap.
Many third party manufacturers make shoe braces which attach to the camcorder's tripod mount and adds a standard accessory shoe.
Of course, if you are using a lav microphone this shouldn't be a problem, because the mic is attached to your subject and not your camcorder.
In addition, if you're using a wireless system your wireless system more than likely can be attached to the camcorder's strap using a clip or simply using Velcro.
The shoe handicap is only going to become a problem when you attempt to use a shotgun microphone. For a small compact camcorder, an extra bracket will be a nuisance but the only way to mount standard microphones.
If I hadn't been deprived of any viable audio options from Sony for this past year, I probably wouldn't be in love with the audio options on the HDR-HC1, which are good with minor flaws. However, the HDR-HC1 is a welcome relief in the audio category.
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Ports
The Sony HDR-HC1 does pretty well in the ports and jacks section, certainly better than all the other consumer Sony camcorders below it, but not quite as well as its big brother, the HDR-FX1.The camcorder includes
a FireWire jack for transferring either DV video or HDV video -- i.LINK - IEEE 1394 = FireWire
a component video out to hook the camcorder into HD compatible equipment,
an RCA video jack for hooking the camcorder up to regular DV equipment,
an S-Video jack - optional cable
a Microphone in,
Headphone out,
Control-L / LANC Jack -- on back of camera to right of the viewfinder
Sony's "intelligent" accessory shoe.
I like the connectivity options on the HDR-HC1, especially the fact that it includes a Microphone in jack.
My one complaint is with the "intelligent" accessory shoe.
I really wish they'd put a real accessory shoe on the camcorder, not Sony's useless proprietary system.
BACK LIGHT - Monitor
-- for monitor screen not exposure
-- Press and hold DISPLAY/BATTERY INFO to on the back light
BACK LIGHT - Exposure
-- increases exposure
EXPOSURE
-- Adjust Exposure
-- Auto Lock to OFF
-- Press Exposure button
-- Adjust the brightness by moving EXPOSURE / VOL lever up or down
-- Automatic: press Exposure button again
NIGHT SHOT & SUPER NIGHT SHOT
-- Switch on the right side of the lens
-- uses infrared light
-- Infrared Port: Plastic SONY under the lens
-- remove wide lens -- remove slide plate
-- adjust focus manually
MIC LEVEL
-- Auto
-- Manual
PLAYBACK VOLUME
-- Move EXPOSURE / VOL lever up and down
-- Also on Menu Screen - / +
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SONY HDR-HC1 1080i HDV Camcorder
(1) SONY NP-QM91D BATTERY
(1) SONY NP-QM71D BATTERY
(1) SONY BC-TRM BATTERY CHARGER
Mic Shoe:![]()
Sony Active Interface Shoe (AIS)![]()
AIS FLAT COLD SHOE ADAPTER - for a standard microphone shoe like a Rhode |
This adapter allows the use of a universal shoe compatible device on a Sony camcorder
that has the Active Interface Shoe (AIS). It is currently the lowest profile AIS adapter available.
This adapter does not provide electrical or audio connections to the camcorder though the AIS socket.
-- http://dm-accessories.com/AIS-FLAT.php |![]()
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AUDIO | ACCESSORY SHORE ADAPTER VCT-55L
-- remove the accessory shoe adapter when inserting and removing a cassette - p. 72
(1) BEACHTEKDXA-4P DUAL XLR ADAPTER(1) PROT TRIPOD ADAPTER
-- permits tape change while camera is tripod / Beachteck mounted
-- http://dm-accessories.com/HC1-PROT.php | for a BEACHTEK | DXA-2 | DXA-6 |![]()
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BeachTek DXA-2S - $240
The BeachTek DXA-2S is a two channel, transformer balanced XLR adapter for today’s small, compact camcorders. This adapter is designed to easily attach balanced or unbalanced type microphones to any camcorder with a MIC jack. The DXA-2s gives you all the benefits of using balanced audio devices for clean audio as well as control over the signal levels to ensure the best possible sound recording. With the DXA-2s Dual XLR Adaptor from BeachTek, the professional audio adaptor that works on any camcorder, you can record like a "pro" without breaking the budget. The original mini-solution for high quality sound and control. The DXA-2s is very easy to set up and use. Its rugged construction ensures years of use and its compact size fits neatly under any camcorder - can also be mounted to any standard tripod. Since the adaptor is a passive device, it is completely silent and the premium transformers ensure superb audio.
You must select Line or Mic on the BeachTek, and most cameras.
The number one reason for bad audio when using a BeachTekLook above the Audio volume knobs on the BeachTek. You will see a switch and above it "LIN/MIC." Before you begin shooting make sure this switch is correctly set. Most of the time you will be using a regular mic attached to the BeachTek via an XLR cable, the correct selection for this is the "MIC" setting. Any time you have a mic attached, make sure the switch is set in the "mic" positon, or else your sound will come out high, tinny and distorted.
The "Line" Selection
is for plugging directly into a Public Address system or Audio Sound board at a club or event. This is achieved by directly plugging in a XLR cable from the sound board into the BeachTek and selecting the "LINE" setting on it. Sound board operators can send you either a "LINE" or "MIC" signal output, be sure to ask any sound board person you are working with, "Are you sending me a Line or Mic signal"? Then select the right setting on your camera or BeachTek.If you have bad audio, check your camera's audio settings to make sure you have not switched it to the wrong setting. Always check and double check your Audio imput to make sure it is on "Mic" if you are feeding a raw, unamplified mic into your camera.
http://www.dvworkshops.com/newsletters/bestmics.html
http://www.dvworkshops.com/newsletters/fiveelements.html![]()
Notes: SONY Active Interface Shoe - SONY AIS interface![]()
A Sony HC1 has a mic input jack but not a standard accessory shoe for an external mic.
The Canon MB-100 mic boom has an accessory shoe and accepts an external mic.